Summarizing

With this catalogue of devices trained to emit graphic information, we close the digital elements list that they will be adapted to the architectural environment of the virtual temple devised. As we see, each one of them lends a renewed descriptive and instrumental value to management that accomplishes with respect to the established function that evidence his antecedent, based this on contributions of age-old plastic and functional origin. Because of this, we should consider this theoretical-practical trial -adjusted mainly to the areas of the architectural and industrial design- as way that make possible an adequate to reborn of the ancient tools bearing of the devout -and pagan- simbology to the modern codification systems those wich favor a great display versatility.

Should not to surprise us that someday we see built religious constructions with this rejuvenated structure. If we scan the vast lots of buildings registered within civil, ecclesiastic and military constructions catalogue we will understand the degree of innovation that procures the fact of intervening, of acting, in the area of the religious constructions. The previously analyzed digital instruments that will give content this modern edifice would not equal significance if those would be adapted to buildings with other uses, since the wide majority of these (shopping or bureaucratic centres, our own home,…) have gone accepting gradually the utensils that were emerging with the progress of computer technology and -more generically- with the electronic evolution. It is quite current to consult in an airport or railway station the timetables and exact points of aircraft or trains exit through a screen that issues continually updated data; it is not so current, to visualize biblical passages or images (statics or in video format) in monitors strategically disposed in a place projected at first to yield cult, that counts with a strong psychological -contemplative- load concerning age-olds traditions inherited throughout the delayed existence that encompasses the mystical phenomenon.

The canons of the design in anyone of their derivations evolve with same speed that make it the instruments and the thought models that several decades before established the computer science culture. A rapid tour for the past century lets us in the retina diversity of images and projects allusive to a succession of design models that were being molded upon reflecting of time, adopting in his form the prevailing manners of that changing society. Prior to the predigital era of multimedia production and Internet, and within that same century, happen multitude of tendencies formed in the heterogeneous branches that the design puts within reach of the creation. Between them the modernism, common to architecture and plastic arts; the minimalism, linked to these last; the art déco, referred mainly to the decorative arts; the constructivism, mediating in a good number of areas belonging to the discipline of the design, etc. Currents that continue outstanding, with more or less adept, demonstrating -as occurs with most valuable of Renaissance tables or sculptures- the perpetuity than characterizes to the object of design, considered nevertheless as an artistic product.

In our days, is very probable that the current century and immediate reflect by similar courses. Even though, there will be a common denominator to all these disciplines nearby to the artistic and technical field, that will be which order the lines and the stratagems that settle the systems and the creative standards: the emerging technology. Regal protective of the fourth great revolution (after the French and Russian Revolution, both of political and social character, and the Industrial Revolution, of socioeconomic character) that affects completely to the world community: the Cybernetics Revolution (omnipresent in all the orders).